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	<title>They shoot films, don&#039;t they?</title>
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		<title>They shoot films, don&#039;t they?</title>
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		<item>
		<title>3 x Suicide</title>
		<link>http://cecilip.wordpress.com/2011/02/15/3-x-suicide/</link>
		<comments>http://cecilip.wordpress.com/2011/02/15/3-x-suicide/#comments</comments>
		<pubDate>Tue, 15 Feb 2011 18:40:17 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[Der siebente Kontinent]]></category>
		<category><![CDATA[The Virgin Suicides]]></category>
		<category><![CDATA[Sofia Coppola]]></category>
		<category><![CDATA[Wristcutters]]></category>
		<category><![CDATA[Goran Dukic]]></category>
		<category><![CDATA[suicide films]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=348</guid>
		<description><![CDATA[Der siebente Kontinent (The Seventh Continent, 1989), directed by Michael Haneke It is a major spoiler in itself to include this film into a trilogy of suicide, but this is the ultimate suicide film, so it is a must. Haneke’s early works are cruder, more direct and simple than his later complex meditations on the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=348&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>3 x Mongolian landscapes</title>
		<link>http://cecilip.wordpress.com/2011/02/15/3-x-mongolian-landscapes/</link>
		<comments>http://cecilip.wordpress.com/2011/02/15/3-x-mongolian-landscapes/#comments</comments>
		<pubDate>Tue, 15 Feb 2011 17:48:28 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[Jessica Hope Woodworth]]></category>
		<category><![CDATA[Khadak]]></category>
		<category><![CDATA[Mongol]]></category>
		<category><![CDATA[Mongolia]]></category>
		<category><![CDATA[Peter Brosens]]></category>
		<category><![CDATA[Quan'an Wang]]></category>
		<category><![CDATA[Sergey Bodrov]]></category>
		<category><![CDATA[Tuya's Marriage]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=345</guid>
		<description><![CDATA[Khadak (2006) by Peter Brosens and Jessica Hope Woodworth. This is a strange co-production filmed in Mongolia during wintertime, a mixture of magic realism and environmental and social activism. The story is of an epileptic teenage boy who is a shepherd and lives with his grandparents out in the steppe. He has to move to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=345&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>If these people could talk&#8230;</title>
		<link>http://cecilip.wordpress.com/2011/02/15/if-these-people-could-talk/</link>
		<comments>http://cecilip.wordpress.com/2011/02/15/if-these-people-could-talk/#comments</comments>
		<pubDate>Mon, 14 Feb 2011 23:30:24 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andrei Zvyagintsev]]></category>
		<category><![CDATA[Izgnanie]]></category>
		<category><![CDATA[Maria Bonnevie]]></category>
		<category><![CDATA[Tarkovskij]]></category>
		<category><![CDATA[The Banishmnet]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=341</guid>
		<description><![CDATA[&#8230;the walls wouldn&#8217;t have to do it for them. That could be the moral of Andrei Zvyagintsev&#8217;s second feature film, The Banishment (Izgnanie, 2009) in a nutshell. Never since Werner Herzog shot films in Peru have the actual, real surroundings been characters in a film. Each scene is carefully composed and shot to perfection, without [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=341&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>A match made in film heaven &#8211; Kōbō Abe &amp; Teshigahara</title>
		<link>http://cecilip.wordpress.com/2010/12/26/a-match-made-in-film-heaven-kobo-abe-teshigahara/</link>
		<comments>http://cecilip.wordpress.com/2010/12/26/a-match-made-in-film-heaven-kobo-abe-teshigahara/#comments</comments>
		<pubDate>Sun, 26 Dec 2010 16:26:28 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Hiroshi Teshigahara]]></category>
		<category><![CDATA[Kobo Abe]]></category>
		<category><![CDATA[Pitfall]]></category>
		<category><![CDATA[The Face of Another]]></category>
		<category><![CDATA[Toru Takemitsu]]></category>
		<category><![CDATA[Woman in the Dunes]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=336</guid>
		<description><![CDATA[Japanese writer, photographer and inventor Kōbō Abe has often been compared to Kafka and Camus for his existential explorations of human individuality and freedom. But being a photographer and having an eye for surreal images, his texts are often very visual, detailed and overwhelmingly vivid, basically begging to be made into films. Along comes fellow [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=336&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
	
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			<media:title type="html">cecilip</media:title>
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		<title>Discovering Guy Maddin</title>
		<link>http://cecilip.wordpress.com/2010/12/22/discovering-guy-maddin/</link>
		<comments>http://cecilip.wordpress.com/2010/12/22/discovering-guy-maddin/#comments</comments>
		<pubDate>Wed, 22 Dec 2010 11:32:48 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[My Preciuos]]></category>
		<category><![CDATA[Guy Maddin]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=328</guid>
		<description><![CDATA[Shame on me for not discovering him before! This Canadian director uses a technique similar to silent films and/or early talking films, adorably sad and strange characters in stories as far from clichés as one can get in storytelling. His films are so unique that once you&#8217;ve seen one you will recognize the others and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=328&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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		<title>Enter the Void. Exit Noé</title>
		<link>http://cecilip.wordpress.com/2010/12/14/enter-the-void-exit-noe/</link>
		<comments>http://cecilip.wordpress.com/2010/12/14/enter-the-void-exit-noe/#comments</comments>
		<pubDate>Tue, 14 Dec 2010 21:40:27 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[Directors]]></category>
		<category><![CDATA[Enter the Void]]></category>
		<category><![CDATA[Gaspar Noe]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=324</guid>
		<description><![CDATA[While it looks amazing, bold and unique, Gaspar Noé’s latest film, Enter the Void is very disappointing for a complete lack of things to say. It seems like Noé once again skipped over the scriptwriting phase of movie making (in spite of being listed as co-writer with his wife, I suspect they were doing other [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=324&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>3x allegories</title>
		<link>http://cecilip.wordpress.com/2010/09/14/3x-allegories/</link>
		<comments>http://cecilip.wordpress.com/2010/09/14/3x-allegories/#comments</comments>
		<pubDate>Tue, 14 Sep 2010 18:29:33 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[allegorical film stories]]></category>
		<category><![CDATA[Cube]]></category>
		<category><![CDATA[District 9]]></category>
		<category><![CDATA[Punishment Park]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=309</guid>
		<description><![CDATA[Cube, 1997,Vincenzo Natali This is the ultimate allegory, as it can be interpreted to be political, religious, social, psychological, and so on. Very Kafkaesque. Punishment Park, 1971, Peter Watkins An allegory of how some establishments treat difference that threatens their existence. District 9, 2009, Neil Blomkamp Aliens representing unwanted immigrants forced into a ghetto. Too [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=309&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>3x utopias</title>
		<link>http://cecilip.wordpress.com/2010/09/14/3x-utopias/</link>
		<comments>http://cecilip.wordpress.com/2010/09/14/3x-utopias/#comments</comments>
		<pubDate>Tue, 14 Sep 2010 18:15:37 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[1984]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[Metropia]]></category>
		<category><![CDATA[Metropolis]]></category>
		<category><![CDATA[utopias in film]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=307</guid>
		<description><![CDATA[Metropolis, 1927, Fritz Lang The classic utopia, this is such an unbelievably great film that there’s basically nothing else to say about it, just that everyone should watch it at least once. Brazil, 1985, Terry Gilliam The bureaucratic utopia. Nineteen Eighty-Four, 1984, Michael Radford The communist utopia, Orwell’s disturbing warnings made into equally astonishing film [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=307&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>The Annoying, the Owner of Truth, and the Most Disturbing</title>
		<link>http://cecilip.wordpress.com/2010/09/14/the-annoying-the-owner-of-truth-and-the-most-disturbing/</link>
		<comments>http://cecilip.wordpress.com/2010/09/14/the-annoying-the-owner-of-truth-and-the-most-disturbing/#comments</comments>
		<pubDate>Tue, 14 Sep 2010 15:51:48 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[Disturbing]]></category>
		<category><![CDATA[A Serbian Film]]></category>
		<category><![CDATA[Ken Loach]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=298</guid>
		<description><![CDATA[Fortunately, this is not one film. Moreover, this time the annoying is not even a film, but a director and at least two of his films. I am talking about Ken Loach&#8216;s Family Life and The Wind that Shakes the Barley. Wow, it must be so nice to be this clear on complex issues, to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=298&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>3x misdiagnosed gems</title>
		<link>http://cecilip.wordpress.com/2010/09/08/3x-misdiagnosed-gems/</link>
		<comments>http://cecilip.wordpress.com/2010/09/08/3x-misdiagnosed-gems/#comments</comments>
		<pubDate>Wed, 08 Sep 2010 20:39:31 +0000</pubDate>
		<dc:creator>cecilip</dc:creator>
				<category><![CDATA[3x]]></category>
		<category><![CDATA[Blueberry]]></category>
		<category><![CDATA[Let the Right One In]]></category>
		<category><![CDATA[Rewers]]></category>
		<category><![CDATA[wrong genre attribution]]></category>

		<guid isPermaLink="false">http://cecilip.wordpress.com/?p=256</guid>
		<description><![CDATA[These are films that are generally referred to under the wrong genre. Not that it&#8217;s important to put them in any genre or category&#8230; REWERS, 2009, Borys Lankosz A great Polish film that starts out as a light comedy: a young woman in Communist Poland is pressured by her mother and grandmother into finding a [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecilip.wordpress.com&amp;blog=14717961&amp;post=256&amp;subd=cecilip&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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