Discovering Guy Maddin

Posted: December 22, 2010 in 3x, Directors, My Preciuos
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Shame on me for not discovering him before! This Canadian director uses a technique similar to silent films and/or early talking films, adorably sad and strange characters in stories as far from clichés as one can get in storytelling. His films are so unique that once you’ve seen one you will recognize the others and want to see them all. Here are just three recommendation, these are also his most famous and accessible films:

The Saddest Music in the World (2003)

This is the story of a crippled beer factory owner who sets out to find the nation with the saddest music in the world as, but ends up reliving loves and traumas of her past. It features two of the most strangely beautiful women, Maria de Medeiros and Isabella Rosselini and the unforgettable image of glass artificial legs filled with beer. Also, possibly the funniest line in a film: “I am not an American, I am a Nymphomaniac.”

Brand Upon the Brain! A Remembrance in 12 Chapters (2006)

The director returns to his childhood home, a Canadian Island where his parents ran an orphanage, and sets out to repaint the lighthouse while remembering/inventing his tormented and comic-like childhood. No few lines can make justice to the richness and innovativeness of the story. This is also Maddin’s most successful blending of film technique and narrative, as his jumpy, fragmented, blurry images fit perfectly with his stream of consciousness-type memories that mix reality, detective stories, psychosis, sexual awakening, abuse and nostalgia. With the help of this film language it also becomes impossible to tell how much is true and how much is imagination in the hero’s memories.

Cowards Bend the Knee or The Blue Hands (2003)

A truly coward hero thrown around by a few beautiful women, especially the vengeful Meta, who wants her dead father’s hand transplanted onto her lover. Since I found no trailer, here is a short film made by the director about the audition.

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Comments
  1. […] Gordon, este aproape imposibil de privit. Comparativ, filmele la fel de obsedate de memorie ale lui Guy Maddin sunt prietenoase. Decasia ar putea fi doar un film de văzut pe halucinogene, dacă în spasmele […]

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